The Bacchae |
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Review
by Willard Manus City Garage
continues with its trilogy of modern reworkings of Greek tragedy by the
Brooklyn-based playwrite, Charles L. Mee. Following AGAMEMNON (which ran
this past summer) is Euripides' THE BACCHAE. It portrays Dionysius (Justin
Davanzo) as a vain, narcissistic and sociopathic god who uses his looks
and loins to whip up a sexual frenzy on earth, only to disappear when
his followers experience morning-after remorse and guilt. King Pentheus
(Troy Dunn) is a stern, black-visaged moralist who disapproves of the
bacchantes's bare-breasted revels and sets off, dressed as a woman, to
infiltrate their camp, liberate his mother, Agave (Joan Chodorow), and
restore male domininance over the cult, only to get dumped on for his
troubles. Without a man or god to control them, the women go beserk and
begin tearing each other to pieces. So much for the superior, nurturing
"second" sex. |
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Mees' bleak, politically incorrect vision of human nature (and heavenly indifference) has been given a potent production by City Garage, thanks to Charles A. Duncombe's set & lights, Josephine Poinsot's costumes, Irene Casarez's flute work, Frederique Michel's direction, and the splendid 14-person cast. |
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