A Polish Experiment |
REVIEW by Willard Manus Joanna Klass is Polish
theatre's best friend in Los Angeles. She has for fifteen years been instrumental
in bringing Polish theatre companies to this city and/or translating the
works of leading Polish playwrights. Her production of Moscow-Pyetushki
at The Odyssey was hailed critically in 1997, and Ferdydurke at City Garage
in 2000 won a Fringe First at the Now Klass, joined by her Polish-American son, Voychek Szaszor, has mounted SKETCHES FROM THE MEMORY OF BRUNO SCHULZ, "a site specific play on words, art, and all kinds of material re-creation re-collected for a facto-fictional museum of living architecture in one and a half act." We are in the country
of the Polish avant-garde here and it is quite a strange but intriguing
place. Based on the texts of three of Poland's leading 20th century writers,
Bruno Schulz (1892-1942), Stanislaw Ignacy Witkiewicz (1885-1939) and
Witold Gombrowicz (1904-1969), SKETCHES examines their creative theories,
practices, relationships and hallucinations. The setting is a salon (in
real life, a backroom at the Warszawa Restaurant in Santa Monica). A seven-person
cast portrays these and other Polish and Surrealism, existentialism
and the Theatre of the Absurd were all influenced by the work of these
bold, quintessentially European artists. Just as they Call (310) 407-0414 for tickets and information, or visit www.Arden2.org |