Madama Butterfly |
Review
by Willard Manus Robert Wilson's production of Puccini's MADAMA BUTTERFLY has become an L.A. Opera Co. mainstay. Seen previously in 2004 and 2006, the production was mounted yet again this fall, starring for the first time Chinese soprano Liping Zhan. Zhan, Wilson's first choice when he premiered MADAMA in Paris thirteen years ago, has mastered the director's difficult style--physical stillness paired with impassioned vocalizing. |
Wilson, who also designed the set and lights--and no doubt had a hand in choosing the costumes--has put his unmistakable stamp on the opera. In a way, it's his MADAMA, not Puccini's or even Zhan's. His minimalist vision dominates the stage, which has almost no set pieces or props, just stark geometric shapes poised against a multi-hued backdrop glowing with evening-sky radiance. |
Zhang started
out singing somewhat tightly and tentatively, but by Act Two she had relaxed
into the role of Cio-Cio and began vocalizing with heartstopping beauty
and intensity. Farina, physically miscast as Pinkerton (he's too hulking
a figure), just about managed to hold his own, but there were commendable
contributions from Stephen Powell as Sharpless and Catherine Keen as Suzuki.
Andrea Silverstrelli as The Bonze and Erica Brookyser as Kate Pinkerton
stood out as well. |
Dorothy Chandler Pavilion, 135 N. Grand Ave. (213) 972-8001 or laopera.com |