Sasha vom Dorp: 15.15 Hz | |
Feature
by Michelle Cairella Fillmore THE W. KEITH
& JANET KELLOGG UNIVERSITY ART GALLERY |
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Exhibition Installation View, Sasha vom Dorp:15.15 Hz, Aug 23 - Oct 18, 2018, Kellogg University Art Gallery, Cal Poly Pomona, curated by Michele Cairella Fillmore. Photo credit: William Gunn, Wolverine Design Studio. |
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This exhibition consists of two, three, fourth, and fifth-dimensional work: a light-based interactive installation, multi-sensory video-sound installations, and photography created by the intersection of sunlight, water and sound waves. The result is the artist's endeavor to fuse the visual, auditory and tactile senses into one unique experience in order to expand the limits of perception. |
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Sasha Raphael vom Dorp 15.15 Hz Sunlight 01.28.2018 14:19:05.008 36 o24'22"N 105 o34'31"W from the Sound Bending Light Series, 2018 Photograph of sunlight encountering sound as observed through the medium of water; archival pigment print mounted on aluminum, ed. 1/3, 42 x 28" Courtesy of the artist. Image used with permission ©2018. |
Sasha Raphael vom Dorp 15.15 Hz Sunlight 01.14.2018 14:10:32.006 36o24'22"N 105o34'31"W from the Sound Bending Light Series, 2018 |
Artist Statement Cartography is difficult for both the maker of the map, and the lost soul that clings to its edges. Sasha vom Dorp uses his experience of life, his arrogance, and ignorance, to make a map of the universe. However, his map is not a map like the ones we are used to -one in which objects are represented solely in their spatial relationship to other objects. Rather, it is a map that uses a minute to represent the infinite: a map that seeks to represent change through time using sound, light, matter, and that matter's relative density. Vom Dorp states, "I am interested in expanding the limits of my own perception, so I make these things." |
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Sasha Raphael vom Dorp in collaboration with Sacha Riviere 222.22 Hz - Surface Tension from the Sound Bending Light Series, 2017 |
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Some of vom
Dorp's work represents the three-dimensional world, in a two-dimensional
format, while some explore the fourth-, utilizing video and video projection,
and even the fifth-, the slipperiest dimension, with the use of interactive
technology. While the artist can have no control over the viewer's experience
of time, a video of water falling from an overflowing rain gutter is meant
to comment on, and perhaps even influence that perception. The sound of
that same rain is slowed down, expanded, and then delivered to the viewer
in an unexpected way. This allows the viewer to peek at the fungible nature
of time. Even if the view is intermittent, and something which our rational
minds buck against, vom Dorp can, even if just for a length of a single
breath, expose the "clock's lie" and its tyrannical "tick-tock"
-which is nothing less than the sound of our own impending deaths marching
closer. To end, he states, "Because there is no possibility of living
forever, I wish to tear off a piece of it. I slow down time long enough
to experience life's wonder even if it is just as we look at something
as common as water spilling over the edge of a rain gutter." |
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Biography Sasha Raphael vom Dorp has been exhibiting his work since 1992. A practice that began with painting in oils has evolved into creating kinetic sculpture, photography and interactive multimedia installations. His current work employs a machine that he's created allowing him see sound waves as they interact with sunlight and matter. His work has been featured on PBS and published in the New York Times. Having lived in Sweden, Mexico, Taiwan, the Philippines and Los Angeles, he's returned home to Taos where he works and lives with his wife and four children. |
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The Kellogg
University Art Gallery is located in Building 35A, on the Northeast end
of the Bronco Student Center, diagonally across from the Univ. Library. |
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CONTACT INFORMATION
ARTIST WEBSITES: |
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