| AN AUTOBIOGRAPHICAL SKETCH |
| by Rose-Marie
Turko I've never been to war or Vietnam. I was born right in it. I'm a half breed, half French, half Chinese, born in the chasm of East-West conflict, between colonial wealth and grandeur and native poverty. I have no home, no country. I've been looking for one all my life. Gypsies are the only people I ever felt at home with. Maybe it's why I ended up in Hollywood, from growing up in orphanages and boarding schools, sometimes making Chinese shadows on the walls for hours with the only sunlight coming through a key hole. A light which would later resemble the beam of a movie projector. My father's French,
was born in Hanoi, the son of the French governor and resident mayor of
Saigon. That's when the French were there, before the Americans came,
before my grandfather was captured by the Japanese, Shortly after giving
birth to my dad, my grandmother died. My grandfather married his Vietnamese
concubine and served as governor in Vietnam and Cambodia while my father
was taken back to France to be properly raised and educated--a young,
raging, orphaned prince in the making, right on the brink of falling colonial
grandeur. |
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She did. He was a
knight in shining armor, rich, handsome, romantic, the son of the French
governor, and even offered to adopt her two children. |
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First thing he did was take her two Chinese children and board them in an orphanage as far away as he could. Then he fired our nanny and throned back in his aunt, the sister of his deceased mother who had also raised him, soon disappearing to countless soirees at the mayor's house where my mother was not invited. But resilient and
used to starting over, my mom borrowed money from my grandfather and opened
a fashionable Chinese restaurant, the only one in the Soon it was war all
over again, with her threatening divorce after his numerous jealous rages
and beatings, and him to dispossess her from her children and send her
back to Vietnam, "a worthless whore like he found Psychic and physical
guerilla warfare all the way. Vicious and relentless. And I grew up right
in it. Not just front row seat. I was the territory, Guns flashed, chairs
flew, phones torn out of the wall, hand to hand combat and police sirens
to the rescue while I ran to the bakery down the street and The custody battle
lasted five years. My father won and drove my mom out of town, took her
children and most of her money too. She snuck into my boarding house one
night to give me chocolate marshmallows, my American favorites, and a
dress covered with roses, which I never got to wear, only austere uniforms.
She'd cut her hair very short, almost like a man, and kept smiling at
me with her red, red lips, even though she was crying under her dark sunglasses
and it was night. She said, "Mothers never abandon * * * A bashful, intense
fifteen year old in pleated skirt, bred on Tolstoy, Faust, Beethoven and
the best, I landed in America via skid row the San Francisco It didn't exist when my husband confessed he'd gotten me pregnant for fear of getting drafted. It didn't exist when one day he didn't come home, then stuck a gun to my head when I filed for divorce. It didn't exist when I joined Women's Lib, quit Women's Lib, joined "the movement," quit "the movement," worked two fulltime jobs to go to college, failed the English entrance test, got in anyway, won best short story and an art scholarship to the Art Institute one year later, hitch- hiking to school with my baby in one arm, art portfolio and books in the other, and not enough hands when it rained, all before I had turned nineteen. It didn't exist for a long time after that either. But it existed in my dreams, in the feverish prayers of a six year old in an orphanage, in the burning heartache of a teenage mom, in everything, everyone I loved, in every painting I painted, every poem or story I wrote. It existed because I needed it to exist and I was determined to find it, like sugar at the heart of a thorny rose. it was either that or else amputate. And surely no one could live without a heart. |